Jonathan
Lubin March 10, 2024
Activist,Interlop & Pranksters Spring 2024 Doris Cacoilo
Towards
a Curatorial Activism
“Despite
the decades of postcolonial, feminist, anti-racist, and queer activism and theorizing,
the ‘majority’ continues to be defined as white, Euro-American, heterosexual.”
Despite
the world changing we are currently witnessing a look at the definition white supremacy
regarding Eurocentric behaviors. It’s a change worth debating about because they
believe most of everything made is because of the white man which is not true
it is all men. Defining the postcolonial decade off of one race is an irrational
output and should be changed.
“What’s
even more disturbing is that these mainstream master narratives of art, in
which large constituencies of people are ghettoized and excluded from the
big-white-boy narrative.”
Mainstream
art has many equivalents, and it all depends on where it came from. Most ideas
in our modern generation come from the ghetto and idealistically it’s harder to
be part of the art culture without any type of ghetto background from a man’s standpoint.
The big white boy narrative is just a childish statement used to catch the
audience.
“‘There
are no women equivalents for Rembrandt, Delacroix or Cézanne, Picasso or Matisse”
Cultural
Activism is justice for the artwork and community of artist pushing for change in
equality and earthly compromise for the structures we have learned and built
within the decade. The best way to improve art is to find more art and people
willing to share their creativity. Creativity is a compound of life and
behaviors what people feel can be illustrated through art and expanded on a
wide range of surfaces.
“As a
hegemonic discourse, the current art system privileges white male creativity to
the exclusion of everyone else.”
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